The Fragment

The Fragment Author William Tronzo
ISBN-10 9780892369263
Year 2009
Pages 222
Language en
Publisher Getty Publications
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A collection of essays on art history and criticism. The essays offer a meditation on distinctive moments in the history of the fragment, ranging from spoila in late antique architecture to the practice of collage in the modern period.

Fragment

Fragment Author Warren Fahy
ISBN-10 9780440338574
Year 2009-06-16
Pages 384
Language en
Publisher Delacorte Press
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Aboard a long-range research vessel, in the vast reaches of the South Pacific, the cast and crew of the reality show Sealife believe they have found a ratings bonanza. For a director dying for drama, a distress call from Henders Island—a mere blip on any radar—might be just the ticket. Until the first scientist sets foot on Henders—and the ultimate test of survival begins. For when they reach the island’s shores, the scientists are utterly unprepared for what they find—creatures unlike any ever recorded in natural history. This is not a lost world frozen in time; this is Earth as it might have looked after evolving on a separate path for half a billion years—a fragment of a lost continent, with an ecosystem that could topple ours like a house of cards.

The Fragment

The Fragment Author Camelia Elias
ISBN-10 3039104705
Year 2004
Pages 397
Language en
Publisher Peter Lang
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This monograph is an interdisciplinary study of the concept of 'fragment' in literature and in critical and literary theory. It discusses the fragment's performativity and function within a historical perspective, stretching from Heraclitus, via the German Romantics and European writers of the Modernist period, to American postmodern manifestations of the fragment. This is the first history of the fragment to appear in English, and it is also the first attempt at producing a consistent taxonomy of literary and critical fragments. The fragments are categorised according to function, not author intention, and the study addresses a number of questions: What constitutes the fragment, when the fragment can only be defined "a posteriori"? Does the fragment begin on its own, or is it begun by others, writers and critics? Does it acquire a name of its own, or is it labelled by others? All these questions revolve around issues of agency, and they are best discussed in terms of performativity, which means seeing fragments as acts: acts of literature, acts of reading, acts of writing. The book demonstrates how a poetics of the fragment as a performative genre can be created, situating the fragment both as literature and as a phenomenon within postmodern criticism against the background of philosophy, art history, and theology.

A Fragment on Government

A Fragment on Government Author Jeremy Bentham
ISBN-10 9781584771661
Year 2001
Pages 241
Language en
Publisher The Lawbook Exchange, Ltd.
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Bentham, Jeremy. A Fragment on Government. Edited with an Introduction by F.C. Montague. Oxford: The Clarendon Press, 1891. xii, 241 pp. Reprinted 2001 by The Lawbook Exchange, Ltd. ISBN 1-58477-166-6. Cloth. $65. * Bentham's first published work, an essay on sovereignty that criticizes Blackstone's Commentaries and attacks contemporary views on politics and law. This edition includes F.C. Montague's scholarly introduction that shows the significance of the Fragment and includes a biography of Bentham [1748-1832] and a discussion of his role in the history of jurisprudence. "The Fragment on Government is primarily a criticism. If it were nothing more, it would have no interest for later generations, which do not regard Blackstone as an authority upon speculative questions of politics or history, and therefore do not need to have Blackstone's theories corrected or disproved. But in criticizing Blackstone's views, Bentham necessarily expounds his own. As Bentham is one of the few English writers of mark upon the theory of political institutions, and as his doctrine forms a link in the chain of English political philosophy, we still read the Fragment of Government in order to see, not how far Blackstone was wrong, but how far Bentham was right.": Introduction 59.

Fragments

Fragments Author Heraclitus (of Ephesus.)
ISBN-10 0802069134
Year 1991
Pages 214
Language en
Publisher University of Toronto Press
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This volume provides the Greek text of Heraclitus with a new, facing page translation together with a commentary outlining the main problems of interpretation and the philosophical issues raised by Heraclitus' work.

Bentham A Fragment on Government

Bentham  A Fragment on Government Author Jeremy Bentham
ISBN-10 0521359295
Year 1977
Pages 128
Language en
Publisher Cambridge University Press
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This volume makes available one of the central texts in the development of utilitarian tradition, in the authoritative 1977 edition prepared by Professors Burns and Hart as part of Bentham's Collected Works. Certain that history was on his side, Bentham sought to rid the world of the hideous mess wrought by legal obfuscation and confusion, and to transform politics into a rational, scientific activity, premised on the fundamental axiom that "it is the greatest happiness of the greatest number that is the measure of right and wrong."

The Unfinished Manner

The Unfinished Manner Author Elizabeth Wanning Harries
ISBN-10 0813915023
Year 1994
Pages 215
Language en
Publisher University of Virginia Press
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"The Unfinished Manner examines the fragments produced by European writers and artists in the eighteenth century and earlier, fragments that were not the result of an inability to finish either texts or buildings but rather deliberate refusals to make the traditional gestures of conclusion. Most books published in the past few years on the fragment and the unfinished see it as a peculiarly "Romantic" early nineteenth-century exclusively poetic form. Elizabeth Wanning Harries argues, instead, that the fragment not only had a long history beginning with Petrarch but also played an important part in the history of the novel and other kinds of prose." "Conceptualizing the fragment as a genre, Harries sheds a new light on the practice of reading fiction and "reading" ruins in the eighteenth century, complex practices that often require oscillation between two perspectives or ways of reading. She also explores the gendering of forms in eighteenth-century aesthetics - the perception of fragments as feminine (beautiful) rather than masculine (sublime) - and speculates on the fragment's meaning within the context of eighteenth-century social mythologies as well as those of later eras. Finally, she rereads Coleridge's "Kubla Khan" to show its roots in eighteenth-century fragmentary textual practices." "The Unfinished Manner takes up the questions that arise when writers and artists treat apparently unfinished forms - fragments, ruins, torsos, sketches - as finished, both in the eighteenth century and, implicitly, today. Harries's treatments of Petrarch as the initiator of the fragment tradition, of Sterne in relation to biblical criticism, of Coleridge's "Kubla Khan" in relation to Sterne's Tristram Shandy, and of fragments in their relation to the feminine are original and revisionary contributions that seriously challenge some critical assumptions about Romanticism and its relationship to eighteenth-century texts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Anthroposophy A Fragment

Anthroposophy  A Fragment Author Rudolf Steiner
ISBN-10 9780880109567
Year 1996-07-01
Pages 97
Language en
Publisher SteinerBooks
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This text, outlining a new methodology for the study of human nature, dates from 1910 and was found after Rudolf Steiner's death among his unpublished papers. Steiner had dealt with the same theme earlier in lectures. Asked for a written version, he tried to write down what he had said, but found himself unable to do so-the language would not completely relinquish the words. Nevertheless, what he was able to put down remains a major intellectual and spiritual accomplishment of the twentieth century. Steiner presents anthroposophy, which lies between anthropology and theosophy, as a way of studying the human being. Where anthropology studies the human being on the basis of the senses-i.e. by observation within the limits of the scientific method-theosophy recognizes the human as a spiritual being on the basis of inner experience and seeks to understand what it means to be human in a spiritual world. Between these two approaches-basically those of science and religion-lies anthroposophy, which seeks to study human beings as they present themselves to physical observation, while at the same time seeking to derive indications of the spiritual foundations of phenomena by a process of phenomenological intensification. The results of such phenomenological intensification, though fragmentary and incomplete, are of enormous importance. They constitute the first steps toward a truly cognitive psychology, one that demonstrates the richness of the phenomenological approach to the human being as a sensory organism. Starting from there, Steiner unfolds the seven life processes, the nature of I-experience, the meaning of the human form, and its complex relation to higher spiritual worlds. This is a key work, whose time has truly arrived.

Either Or

Either Or Author Soren Kierkegaard
ISBN-10 9780141915753
Year 2004-07-01
Pages 640
Language en
Publisher Penguin UK
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In Either/Or, using the voices of two characters - the aesthetic young man of part one, called simply 'A', and the ethical Judge Vilhelm of the second section - Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous Seducer's Diary, the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, Either/Or is a brilliant exploration of the conflict between the aesthetic and the ethical - both meditating ironically and seductively upon Epicurean pleasures, and eloquently expounding the noble virtues of a morally upstanding life.