Presents by subject the same titles that are listed by author and title in Forthcoming books.
Cultural Writing. Jalal Toufic is a writer, film theorist, and video artist presently living in Lebanon. His video and installation works, which include Radical Closure Artist with Bandaged Sense Organ (1997), have been shown at the San Francisco Cinematheque; the Pacific Film Archive; Palais des Beaux-Arts, Brussels; and elsewhere. He edited the special Discourse issue Gilles Deleuze: A Reason to Believe in this World. FORTHCOMING is a fascinating blend of political theory, film theory, and cross-genre writing -- an essential book for those interested in contemporary thought and culture.
To encourage cross-border transactions in the Single Market of the European Community, the Commission has proposed general framework legislation to set general standards that forbid unfair marketing practices towards consumers, thereby increasing consumer confidence when deciding whether or not to shop abroad in the Community, either in person or through modern methods of electronic purchasing through the Internet. The essays in this volume critically examine the proposed Directive that prohibits unfair commercial practices, and in particular they consider the potential legal and economic implications of a legal duty to trade fairly in the context of general contract law, the protection of consumers, and the needs of competition policy. The distinguished authors of these essays, from Finland, Germany, Italy, The Netherlands, Spain, and the United Kingdom, explain the different approaches of national legal systems to the legal regulation of marketing practices, and assess the compatibility of the proposed Directive with national law and its likely success in achieving the promotion of trade in the Single Market. About the authorHugh Collins is Professor of English Law at the London School of Economics. He studied law at Oxford and Harvard. He has published extensively in the field of contract law including The Law of Contract 4th ed (London, Butterworths, 2003), and Regulating Contracts (Oxford, Oxford University Press, 1999).
"The first book from Ruth Bader Ginsburg since becoming a Supreme Court Justice in 1993--a ... collection of writings and speeches from the woman who has had [an] ... influence on law, women's rights, and popular culture"--
This path-breaking book argues that printing—both with woodblocks and with movable type—exerted a profound influence on Chinese society in the sixteenth and seventeenth centuries.
Taking Our Country Back presents the previously untold history of the uptake of new media in Democratic electoral campaigning over the last decade. Drawing on open-ended interviews with more than fifty political staffers, fieldwork during the 2008 primaries and general election, and archival research, Daniel Kreiss shows how a group of young, technically-skilled internet staffers came together on the Howard Dean campaign and created a series of innovations in organization, tools, and practice that have changed the campaign game. After the election, these individuals founded an array of consulting firms and training organizations and staffed prominent Democratic campaigns. In the process, they carried their innovations across Democratic politics and contributed to a number of electoral victories, including Barack Obama's historic bid for the presidency. In revealing this history, the book provides a rich empirical look at the communication tools, practices, and infrastructure that shape contemporary online campaigning. Through a detailed history of new media and political campaigning, Taking Our Country Back contributes to an interdisciplinary body of scholarship from communication, sociology, and political science. The book theorizes processes of innovation in online electoral politics and gives readers a new understanding of how the internet and its use by the Dean campaign have fundamentally changed the field of political campaigning. Kreiss shows how these innovations, exemplified by the Dean and Obama campaigns, were the product of the movement of staffers between industries and within organizational structures. Such movement provided a space for technical development and incentives for experimentation. Taking Our Country Back is a serious and vital analysis, both on-the-ground and theoretical, of how a small group of internet staffers transformed what campaigning means today and how cultural work mobilizes and motivates supporters to participate in collective action.
Winner of the New Zealand Book Awards Fiction prize Germany, 1939. Two children watch as their parents become immersed in the puzzling mechanisms of power. Siggi lives in the affluent ignorance of middle-class Berlin, her father a censor who excises prohibited words (‘promise’, ‘love’, ‘mercy’). Erich is an only child living a lush rural life, aware that he is shadowed by strange, unanswered questions. Drawn together as Germany’s hope for a glorious future begins to collapse, the children find temporary refuge in an abandoned theatre amidst the rubble of Berlin. Outside, white bedsheets hang from windows; all over the city people are talking of surrender. The days Siggi and Erich spend together will shape the rest of their lives. Watching over Siggi and Erich is the wish child, the mysterious narrator of their story. He sees what they see, he feels what they feel, yet his is a voice that comes from deep inside the wreckage of a nation’s dream.